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Place Type. City Country. State Browse All. Sign In Article Navigation. Subscriber sign in. Forgot password? Don't have an account? Sign in via your Institution. Sign in with your library card. Search within Article contents 1. Background, childhood, choirboy, —c Vienna, c— London, —5. Vienna, — Character and personality. Style, aesthetics, compositional method. Sacred vocal music.

The Princess Lyrics

Secular vocal music. Orchestral music. Chamber music without keyboard. Keyboard music. Works 1. Show Summary Details Article Images. Portrait of Joseph Haydn by Ludwig Guttenbrunn c Oxford University Press. Sign in to annotate. Delete Cancel Save. Close Save. Heiligenkreuz, Zisterzienserkloster. Early Music. Oblong, 28 x 22 cm, xxvi, 57 pp. Line-cut of the Augsburg, c. Each of the four sets is an artwork in which the lyrics, melodies and accompaniments are inseparable.


  1. renttarriseno.gq -- American Music Center collection of published scores.
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Because tempo, dynamics, phrasings and embellishments are very carefully indicated in Kreutzer's score and because the translations in this facsimile edition are meant to be sung this publication not only discloses the beauty of Uhland's poetry but also provides a useful performing edition of these songs.

Copenhagen, Oblong, 16 x 12 cm, 22 pp. Line-cut of the c. Wrappers, in portfolio.

Zweyte Fortsetzung, herausgeben von Eitelfriedrich Thom. Dokumentationen, Reprints, Michaelstein, Oblong, 21 x 15 cm, 30, iv pp. Halftone of the London, edition. Kunzen, a wunderkind of his time, studied with his father and J. Lustig, and later travelled to Denmark and London. Together with essays on Picasso by 8 contributors. Includes facsimile of Picasso letter and handwriting analysis by the graphologist Raymond Trillat. French Opera in the 17th and 18th Centuries, Line-cut of the first printed edition issued by Naderman at the end of or beginning of With reprint of the printed libretto.

Goethes Flohlied in der Vertonung von Franz Liszt. Weimar, Oblong, 31 x 22 cm, xiv, 12 pp. Oblong, 30 x 26 cm, xviii, 4, vi pp. Deluxe color facsimile, issued on the occasion of the rediscovery of the manuscript in The piece dates from and is dedicated to Graf Franz von Pocci of Munich. Commentary in Ger-Eng, together with modern edition. Handsome binding with blue paper boards, and pasted label.

The Hague, Oblong, 35 x 27, 3 vols, 44, 20; 46 pp. The edition includes the manuscripts of both the draft orchestral score and the particel short score. In December , the great Dutch conductor Willem Mengelberg conducted the Vienna Philharmonic Orchestra in a performance of Das Lied and following that performance, Alma Mahler presented Mengelberg with the 2 manuscripts which are the basis of this facsimile.

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Poems of Sidney Lanier / Sidney Lanier [electronic text]

The particle represents a relatively early stage of the composition and reveals many aspects of how the movement took shape. The orchestral version is much more complete, but still is considered a draft. Limited edition of numbered copies in the original format as presented by Alma Mahler to Mengelberg, 3 volumes, housed in a beautiful box covered with black paper. Oblong, 29 x 23 cm, 15, 17 pp.

Color reproduction c. It represents a relatively early stage of the composition and reveals many aspects of how the movement took shape. Handsomely bound in wrappers with period decoration and oriental landscape. The manuscript and its survival has an amazing story. Limited bibliophile edition of copies, only for the trade.

The English Madrigal Composers - Fellowes

Clothbound with slipcase. Riduzione per pianoforte e canto. Line-cut of the autograph fair copy of the piano-reduction score. Facsimili Lucca, Line-cut of 7 autograph manuscripts in possession of the Fondazione Pagliara, together with new critical editions: Capriccio per pianoforte op. Introduction by M.

GREAT EXPECTATIONS [1867 Edition] by Charles Dickens [Stage 1]

Elizabeth C. French Opera in the 17th and 18th Centuries, 72b.

The Princess

Line-cut of the printed score. Februar Basel, Oblong, 21 x 15 cm, vi, 1 , v pp. Laid paper, with wrappers in marbled paper with silk string. Mit einem Nachwort von Thomas Schmidt-Beste. Stuttgart, Edited with Commentary by Hiromi Hoshino. Tokyo, Full-color facsimile edition of the recently rediscovered autograph score, a fair copy with numerous revisions and corrections on almost every page. Critical commentary in Eng-Jap.

Facsimile of letter from Albert Lortzing to Mendelssohn, dated 12 Nov. Chicago, Beautiful halftone of the composition based on the famous Lutheran chorale of Scored for chorus and orchestra. Wrappers with special hand-made marbled paper. Oblong, 21 x 13 cm, ix, 4, ix pp.